A Claire Who Lived for 1514 Words

ClaireNeverEndingA Cut Character from Claire Never Ending: I was looking through my files today, trying to find the revised short-story I’d written not far back as a spin from Claire Never Ending. What I found instead was this chapter. Well, it’s not a chapter. It’s a character I was building for the novel, but didn’t write beyond 2000 words. For each new Claire, I had to find out who she was – so would write these scenes that felt out a character. I think LaLa would have fit into Ruby’s story slot. Maybe she’s Ruby in a different dimension, if Ruby had never jumped off that train with James.

Anyhow, here is it. It’s never been edited, so please excuse the errors.  If you ever want to check out Claire Never Ending, It’s over on Amazon.


 

La La Bliss

 

“Make room, Fellas – clear space, you Dames.

We’ve just gotta announce who’s stepping on the dance floor. Drums! Somebody get me a drum roll! Come on, louder, bigger! Now keep it rolling men, make me scream over top of ya!

Ladies and Gentlemen slap those hands together, cause the hottest Betty in this roaring waterfall city has deemed to grace us with her delicious form. With all the curves of the Mississippi, and legs longer than a cedar giant. Let’s give a hand for the hottest gal this side of the border! Our very own hotsy, totsy, taxi dancing queen – La La Bliss!”

And from the shadows steps La La Bliss, already shaking her hips and flapping those arms – side dancing, knees twisting, breasts waving, beads bouncing. Catch those big charcoal eyes, and short, copper hair – mind the flash of her gold sequined headband wrapped round her pretty brow. The limbs are flying and her smile’s got snap – she’s a crazy, whacked out, sexy mess.

A quarter slips into the announcer’s palm with a big red kiss smeared along his perky, happy cheek, and a wink is delivered through her dark native eyes – a wink and a promise for a piece of the take.

“This one’s a quarter boys. She’s fine goods, Fellas. Line ‘em up and knock ‘em out. Quarter tickets only!”

Little Bliss knows how to sparkle. That’s plain as Jane’s face. Sparkle La La, La La Bliss. Not her maiden name, not her married name either. Because that was back then, back before La La was born. She’s a new woman now, and sailing above the rest of the desperate dames in this town. The lost women, she calls them. She doesn’t drop to her knees for her keep, not lucky little La La Bliss.

“Line up boys!” she laughs into the mic. Her eyes scan the crowd and she winks at them all. Make it look fun, make it look wild. And she holds out her hand as the men race to claim her – bumping and pushing and falling at her feet.

The pink and yellow lights of Freddy’s Bourgeois Dance hall shine and slip and catch her in the spotlight, blind her in the eyes – and if you weren’t desperate, and if you weren’t fighting, if you had a seat at the back and were apart from the crowd, nursing a whiskey and worn out from the world, if you weren’t a drunken mad man frothing at the mouth and piling your tickets into her pale little hand, then maybe, for just a moment, you’d spot something smouldering behind her dark stare. As she hits the polished floor with that good sorta jazz music flying in the background, and swings into the Charleston with her too short, too ugly partner whose staring at her with glassy moon eyes and a look of utter awe slapped across his face, maybe you could see a little of the hurt, glancing at you before it melts back into her smile, and she laughs and shakes her hair.

She’s a naturally injured woman, little light La La Bliss. But so are most women who end up dancing, who end up here, alone, where the water plummets between two countries.

With the stab of her fountain pen, Lala finished inking out her words slowly but surely. Every holiday she’d go out to the pharmacy and buy the prettiest postcard she could afford, and since coming to Niagara, she could afford the real fancy ones, printed in colour and everything. Now she turned the small card round between her fingers, watching the fat New Years baby stare at her with a sash across its basket reading 1927 in red glitter. It cost a dime, tourist prices, but she didn’t mind.

Finishing her note, she tucked it into her carpet bag; she’d never given up her carpet bag, or her worn out beaver jacket. They were items for life, her mother had told her as she’d passed them along, they’ll last far beyond your generation, her mother had said. And Gil had wanted to burn them. He’d wanted to burn every bit of who she was before arriving. Every last bit. She was never really his, and he knew that all along, knew it from the tan line on her ring finger that they never spoke about aloud. Anyhow, she wasn’t his girl, she was only his favourite.

The band was cooling off out there, playing a smooth jive that strummed and hummed through her dressing room walls. The crowd was thinning, everyone was going home. A knock on the door, it was one of the other girls, Rouge, dripping in sweat and patting her armpits with a towel, “Good pull tonight, Bliss Baby?” asked Rouge, and she stepped into Lala’s dressing room and fixed her eyelashes in the bright, bulb lined mirror.

Lala reapplied her lipstick. “Not bad.”

“You going out? Find a fella or something?”

“Or something,” replied La La with a wink. Her voice had gone thick with the smoky halls and late night shouting. She put down the lipstick and lifted the iron, getting a few of those last curls, then flipped her head and shook it all out into a disheveled mess, straightening back up and fixing the strands in the mirror, getting it to look just right. Lala didn’t know too much about politics, or the world, or anything really. What she knew about were men. The other girls primped and puffed, but not La La; she oozed, she spread herself open and let it all hang out. Gil had always said a women looked most beautiful after making love. And Lala had the eyes of a woman left in the bed, so Gil had said. She knew that much about the men with the tickets: they all craved a smoky, hazy, loved up girl like her, even if only for one dance.

Rouge stopped her own primping and looked over Bliss. “I’m gettin’ out of this place Lala, you oughta do the same. You see these,” she bent in close and bore her small blue eyes into Lala’s large dark stare. “You see those lines? Didn’t have those before, eh, and I’ll bet you get them too. I’m getting outta here, Baby Bliss.”

“Where you going?” asked Lala.

“Hollywood.”

That got her attention. The whole reason La La had run away from home was to become a star. But somehow she’d been distracted, caught up by the Falls. She hadn’t even made it to the border, and it was only over the river.

“You gonna be a film star?” asked La La. She lit up a cigarette and took a long pull.

“I’m gonna have a laugh,” answered Rouge. That wasn’t her real name either. Round Freddy’s Bourgeoisie Dance hall, none of the girls had real names.

The clangs and the bangs and the boom boom booms raised up in a crescendo of razz-a-tazz music, with the bar tender calling last round, and the clock ticking down to three AM. It was Lala’s cue, the club was closing. She had a different show to attend next.

“Good luck,” said Lala, standing from her chair, picking up her fox fur cape and throwing it over her shoulders. She looked in the mirror a moment, at the lush woman who stared back all dressed up and ready to go, then she slid out of the fox and hurried to the closet, pulling out her old jacket – the beaver fur, and slid her arms into the familiar sleeves. With a sigh she turned back to the mirror. Rouge had slid into LaLa’s chair and pulled a flask from her garter.

“Want some?” asked Rouge.

La La buttoned her jacket and accepted the flask, taking a swig. “I’ll see you on the big screen,” she whispered, still staring at Rouge’s reflection.

“Here’s hoping,” answered Rouge. La La handed Rouge the flask.

Lala wasn’t jealous. She wasn’t anything, because a girl like Rouge wouldn’t make it down there, no more than she’d made it up here, up in Niagara. She was yesterday’s news, expired goods – and it came off her like a cheap perfume. No one would touch Rouge Deliquesce; Lala didn’t know much, but she knew that for sure.

Lala wasn’t jealous that Rouge was leaving. She was the star of this dance hall. Still the star. And nothing, nothing and no one, was gonna ruin that. Taking the postcard from her desk, La La tucked it into her pocket, picking up her burning cigarette and closing the door behind her as she left the dressing room, left the dance hall, and slipped out into the night. The dark buildings echoed with the click of her heels as she walked with sure steps along the frozen, deserted main street of Niagara falls.

She flicked the burning cigarette down into the gutter. She was the star of this little down. And now, it was time for her late night show. Gil was a man who didn’t like to wait.

4 thoughts on “A Claire Who Lived for 1514 Words

  1. I like La La Bliss. During the announcer’s first three lines, I saw a dancing girl from the Klondike Gold Rush (1896 to 1899). But when I heard the words “waterfall city,” and “flapping those arms,” I figured it was Niagara Falls and that La La Bliss was doing the Charleston.

    Little clues like that make your readers’ imaginations spark to life. Then, when we get the confirmation at what was suggested, we feel “Ah, ha! We knew it!”

    That is quite an achievement in a writer.

    Niagara Falls, Canada’s tinselly town, a perfect setting for a flapper named La La Bliss. Hum, I would like to have known what she was like when she was not earning her pay on the show floor!

    Oh the agony of the chopping block! What to keep, what to chuck!

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